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BIOGRAPHY:
Mia Slavenska was
born in Brod na Savi, Croatia, on February 20, 1916, the daughter of
Milan and Heddwiga (Palme) Corak. Her early teachers include Josephina
Weiss, former Ballerina of the Viener Stadts Opera, Margarita Froman,
ballerina of the Bolshoi and Maximilian Froman, soloist of the Bolshoi.
Mia Slavenska was a student at the Royal Academy of Music, Zagreb, Croatia
for five years, where she majored in piano. She studied ballet in both
Vienna and Paris. At age 12, in Vienna, she studied with Leopold Dubois,
ballet master and first dancer of the Vienna State Opera, and modern
dance with Gertrud Krauss, later the foremost proponent of modern dance
in Isreal. In Paris, her teachers included Mathilda Kchessinskaja, Olga
Preobrajenska, and Lubov Egorova, Prima Ballerinas of the Maryinsky
Theater. In New York, she completed her ballet training in the Cecchetti
Method under his protégé Maestro Vincenzo Celli. She came
to the United States in 1939 and was naturalized in 1947. She married
Kurt Neumann and had one daughter, Maria.
| 1919 |
First
apperance on stage as “Trouble” in Madama Butterfly,
National Theater of Zagreb, Croatia. |
| 1920 |
Began
ballet training with Josephina Weiss |
| 1921 |
Training
with Margarita and Maximilian Froman and made appearances at the
National Theater of Zagreb, Croatia. |
| 1922 |
Debut
at age 6 at the Zagreb National Theatre dancing the Froman-Rebikoff
La Sylphide. |
| 1922-1927 |
Appearances
with Zagreb National Theatre |
| 1925 |
Performed
at the age of 9 the leading role in Figurine, music by Shafrensek-Kavic
and choreographed by Margarita Froman especially for her. |
| 1928-1933 |
First
recital at the Zagreb Academy of Music at age 12 dancing a program
choreographed by her. Also engaged as soloist of Zagreb National
Ballet. Her first role was as the Princess in the Fokine-Stravinsky
Firebird. |
| 1933-1935 |
Concertized
throughout then-Yugoslavia. First performance in Split, Dalmatia. |
| 1934-1935 |
Prima
Ballerina of the National Theater of Zagreb, Croatia. Proclaimed
Prima Ballerina Assoluta at age 18 in 1934. Her debut in that capacity
was as “Swanilda” in the Delibes-St. Leon Coppelia and
on the same bill, dancing the title role in the Fokine-Stravinsky
Firebird. |
| 1936 |
Acclaimed
the winner of the World’s First Dance Olympics in Berlin,
Germany.
Appeared in Serge Lifar’s David Triomphant opposite Lifar
as David’s wife, Melhola, in Paris, France. |
| 1937 |
Made
triumphant debut at La Salle Pleyel on July 7 in Paris.
Awarded Plaque d’Honneur by France as ambassadress of good
will between France and Yugoslavia in Belgrad.
Starred in prize-winning motion picture, La Mort du Cyne, (Ballerina,
in USA). Concert tours with partner Anton Vujanic throughout Europe
and North Africa. |
| 1938 |
Guest
star with the newly organized Ballet Russe de Monte Carlo, in the
Principality of Monaco. Her first appearance was as the “Gloveseller”
in the Massine-Offenback Gaite Parisienne. |
1938-1941 and
1942-1943
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Prima
Ballerina, Ballet Russe de Monte Carlo. Toured in the USA, France,
England, North America, Canada, and South America. |
| 1944-1945 |
Formed
Slavenska, Tihmar and Company. |
| 1946 |
Married
Dr. Kurt Neumann. |
| 1947 |
Gave
birth to her daughter, Maria. |
| 1948 |
Rejoined the Ballet Russe de Monte Carlo as guest ballerina. |
| 1947-1952 |
Toured
the United States, Canada and Central America with her own concert
ballet company, Slavenska Ballet Variante. |
| 1951 |
First
appearance at Ted Shawn’s Theatre: Jacob’s Pillow. |
| 1952 |
Guest
starred with Ballet Russe de Monte Carlo in Chicago.
Formed Slavenska-Franklin Ballet with Frederic Franklin.
Created and produced ballet A Streetcar Named Desire, based on the
play by Tennessee Williams and choreographed by Valerie Bettis.
Created the lead role of “Blanche.” |
| 1952-1954 |
Toured
with Slavenska-Franklin Ballet throughout the USA, Canada and Japan. |
| 1954 |
Prima Ballerina with Ballet Theatre (now American Ballet Theatre).
Featured in Guy Lombardo’s Arabian Nights at Jones Beach Marine
Theater co-starring with Lauritz Melchoir. |
| 1954-1955 |
Prima Ballerina of the Metropolitan Opera, New York City. |
| 1956-1958 |
Artistic Director and guest ballerina with the Louisville Ballet. |
| 1957 |
Choreographed Prokofiev’s Peter and the Wolf and Delibes’
Coppelia for Gus Lambiez’s Children’s Theater in New
York City. |
| 1955-1960 |
TV
debut in National Broadcasting Company Spectacular.
Guest star on:
Max Liebman’s Show of Shows
The Steve Allen Show
The Firestone Hour
The Ed Sullivan Show
The Bell Tele[phone Hour with Alicia Alonso, Nora Kaye and Melissa
Hayden, in Anton Dolin’s Pas de Quatre.
Performed with Igor Youskevitch at Wolf Trap near Washington, D.C.,
before an audience of 28,000.
Guest starred with Ballet Theatre at Lewisohn Stadium in New York,
and with the London Festival Ballet, in London.
Danced many times at Jacob’s Pillow, including an engagement
with the Slavenska Ballet Variante.
Performed in many summer theaters in Song of Norway, Oh, Jupiter,
and as ”Vera” in On Your Toes. |
| 1958-1960 |
Artistic
Director, Fort Worth Ballet Arts
World Premiere Ballet in the round at Casa Manana
World Premiere of her own ballet, Chiaroscuro |
| 1960-1969 |
Private teaching in New York City. |
| 1961 |
Danced
at the Brooklyn College, New York, partnered by Igor Youskevitch.
Retired from the stage on July 17 in American Dance Festival, Metropolitan
Arts Center. Her Cavalier was Igor Youskevitch. |
| 1969-1983 |
Faculty,
Dance Department, University of California at Los Angeles. |
| 1970-1984 |
Faculty,
Dance Department, California Institute of the Arts, Los Angeles. |
| 1971-1991 |
Private
teaching, Los Angeles, California. |
| Oct.
5, 2002 |
Died
in Los Angeles, California. |
| April
18, 2005 |
Ashes
interred at Mirogoj Cemetery, Zagreb, Croatia. |
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